Portrait Photography

Portrait Photography by Roy Barker


The market opportunities for Portrait photography are now so enormous, that they include every dwelling where you live. Everyone wants his or her photograph taken for some reason, or the other. Not only can you target every building, but also it is a type of business where repeat business potential is also enormous. Parents now repeat the opportunities for formal portraits; add to that is that they have more than one child, the possibilities for repeat business is also enormous.

It is a business that you can start very easily from home; it means that you are not working in outdoor inclement weather conditions. The equipment you need is comparatively modest. A camera, good lenses, a tripod, two or three lights and several pieces of cloth that will make various backdrops. Not only is the equipment modest it is also light if you have to transfer it to an event outside your home.

The most important rule to remember is that it is a portrait, not necessarily of just the head, but the person, or group is the focal part of the picture, so it is important to take the photograph without any extraneous clutter. Because you will always be dealing with people you have to maintain control, not as a tyrant, but you have to guide your subjects. Therefore a certain degree of self-confidence is necessary. If you are taking a formal portrait of a group of children it is necessary for you as the photographer to ensure that none of the children are making faces.

When you have signed up a person for a photographic portrait take a few extra shots, and offer them as wallet or purse photographs at a smaller fee. You already have the start business capitalise on it, few people can resist the feeling that they have got “something for nothing”. This may seem a waste of time; they can be important additives for your portfolio.

Portrait photography has undergone many changes of style since the introduction of the formal portrait. The modern emphasis is to bring out each individual’s personality. Top glamour models are paid enormous fees to express a distinctive personality, but to bring that aspect forward in your subject is as much about people skills as camera techniques. It is imperative to be able to create a rapport with your subject to bring out the expressions that display their personality. Anyone over the age of two can pose for the camera, with a vacuous expression, but the secret of saleable portrait photography is capturing more than the pose. To be a really good portrait photographer you have to be able to connect with people, if you have not got these skills, then it is better that you concentrate on some other types of photography

If you want to flatter your subject, you'll probably want to minimize their nose. Stand about twelve feet from your subject, so that their nose isn't significantly closer to you than the rest of the face. However, at such a large distance from the camera, if you want to fill the frame with just your subject's face, then you need a high magnification lens. Typical "portrait" lenses are therefore between 90 and 135 millimeters long when you are using a 35mm camera.

Whilst a lot of portrait photography is completed inside a studio, the prospect of natural light can be very flattering. This can be achieved inside by positioning your subject in front of a window. Environmental portraiture presents different challenges. These portraits are best enlarges, otherwise the subjects face gets lost in the background. Slow film and the use of a tripod; help to keep your images sharp. There are a number of professional photographers who argue that a portrait is not shown to it’s best advantage when it is clinically sharp and they use a filter, but with modern digital cameras, you can make an adjustment in Photoshop at a later time. However if you are using a digital camera you will achieve the best results with a camera with a true single reflex lens.

Natural light or umbrella lighting can achieve soft lighting; both of these reduce shadows and show the face in a “better more attractive light”. However there is another type of portrait photography, which is high impact photography. This is a very dramatic type of portrait photography, which uses very strong light with a high contrast of tonal color. This technique is more effective indoors, as it is achieved by controlling light, and their is too much light to control out of doors. Position your subject at different angles to the light, from one side, or from underneath. This lengthens the shadows, rather than muting them, and gives a distinctly dramatic effect. You can achieve this in varying degrees, but if the light source is placed at 90 degrees to the face, it will throw the whole of the opposite side of the face in shadow. If you are using a digital camera you can also manipulate the contrast later to achieve a more dramatic effect.

You can also improve your photographs if you include some motion shots, as well as the traditional stills. Just make sure that you use the correct film speeds.

http://www.picturecorrect.com/

Portrait Photography Tips and Methods by Richard Schneider


Portrait is defined as, “A likeness of a person, especially one showing the face, that is created by a painter or photographer, for example.” In the area of portrait photography there are some guidelines that you should consider when you go to take photos of people.

The different types of portraits are: close-ups, facial shots, upper body shots or environmental portraits. Environmental portraits are where you focus on the subject and on their surroundings that provide more character to the subject.

When people have a camera in their face it usually makes them nervous and they will try to put on a face that does not portray who they really are. The real skill to portrait photography is trying to capture photos when the subjects are comfortable and not worried about a camera.

Many professional photographers try to capture their subject’s true essence by using tricks. One example of this is counting to three so the subject prepares and then while they are relaxing after taking a planned photo the photographer will snap a few more unplanned photos. In most cases the subject won’t even know that more than one photo was taken but it’s usually the photos that the subject wasn’t expecting that capture their true essence.

Another more common strategy professionals use is to tell funny jokes that make their subjects genuinely laugh or smile. I’m sure that you have probably experienced something like this yourself.

CLOSE-UP PORTRAITS

These usually have the subject’s shoulders and head or less. They are framed around the face. These are the most common and best at capturing expressions and glamour shots. For these it is very important to have the light coming from a good angle. To accent wrinkles or small details you should have the light coming from the side or from the top. To create flattering pictures you should choose a cloudy day or try to create diffused light so there are hardly any shadows. Also make sure the subject is brighter than the background to reduce distraction.

For close-up portraits you should use a wide aperture (low f/stop) to make the background out of focus and therefore less of a distraction. Professionals commonly use a fixed telephoto lens that’s 90 mm or higher for portraits in order to de-emphasize the subject’s nose or any other unflattering feature. It works because at that distance the nose or any other feature does not seem closer to the camera than the rest of the face.

UPPER BODY OR MIDRANGE PORTRAITS

These are easier to capture because the subject is probably more relaxed because it’s less personal. These include a little more of the background than close-ups. These are commonly used for both single subjects and multiple subjects. This is the kind of portrait used to mark occasions such as graduation, yearbook, birthdays and other parties. The ideal lens would be about a 90 mm fixed telephoto or more wide angle depending on how many subjects there are.

ENVIRONMENTAL PORTRAITS

These are the portraits that let you into the life of a subject. They might include the whole subject in a scenario or the subject participating in some hobby that they enjoy. These are best for telling a story to the viewer about the subject. They are almost always used by photojournalists to look into the lives of interesting people. They also make great Black and White pictures.

Use this information to develop what kind of portrait style you would like to take, and then practice it before dealing with any serious clients.